General Interest

ESP Guitars (NAMM Booth 210D) have added six new guitars to its acclaimed ESP E-II Series. Formerly known as “ESP Standard Series,” ESP E-II instruments are built at the ESP factory in Tokyo, Japan.

The ESP E-II Eclipse is now available with EMG pickups in Black Satin finish. The E-II Eclipse offers the single-cutaway ESP Eclipse shape in a guitar designed for professional touring and recording. Built with set-thru construction at 24.75” scale, it features a mahogany body with maple cap, mahogany neck, and ebony fingerboard with 22 extra-jumbo stainless steel frets. Components on the E-II Eclipse include a Gotoh TOM-style bridge and tailpiece, ESP strap locks, a bone nut, Gotoh locking tuners, and a set of EMG 57TW (bridge) and EMG 66TW (neck) pickups, splittable to single-coil mode via push-pull controls.

The new ESP E-II Horizon FR-II has been updated in two exciting finishes: Andromeda II Satin and Gun Metallic Black. These guitars are built with set-thru construction at 25.5” scale, and have features including a mahogany body with maple cap, a maple neck, and an ebony fingerboard with 24 extra-jumbo stainless steel frets. Components on the ESP E-II Horizon FR-II include a Floyd Rose Original double-locking tremolo bridge, ESP strap locks, Gotoh locking tuners, and a set of EMG 81 (bridge) and EMG 89R (splittable with reversed single-coil positioning) in the neck position.

Another new ESP E-II model for 2026 is the Horizon HT-II. Available in Granite Sparkle finish, this guitar offers neck-thru-body construction at 25.5” scale, an alder body, a three-piece maple neck, and an ebony fingerboard with 24 extra-jumbo stainless steel frets. Components on the E-II Horizon HT-II include a Hipshot fixed bridge with string-thru-body, a bone nut, Gotoh locking tuners, and a set of Fishman Fishman Fluence Modern 3-Voice Humbucker active pickups with multiple voicings selectable via push-pull controls.

ESP has also made the Maverick guitar shape available in an E-II version with the ESP E-II Maverick, offered in both Andromeda II Satin and Gun Metallic Black finishes. This guitar is built with neck-thru-body construction at 25.5” scale. It offers an alder body, a three-piece thin U-shaped maple neck with ebony fingerboard, and 27 extra-jumbo stainless steel frets. Components on the E-II Maverick include black hardware, a Floyd Rose Original bridge, Gotoh locking tuners, a Seymour Duncan TB-14 Custom-5 Trembucker in the bridge — splittable via push-pull control — and a Seymour Duncan SCR-1 Cool Rails in the neck position.

More information on ESP Guitars and the new additions to the ESP E-II Series is available on the ESP web site at www.espguitars.com.

ESP Guitars (NAMM Booth 210D) have announced a batch of new bass models for 2026.

Available in both 4-string and 5-string models and in two exciting finishes, the LTD B-204DX and LTD B-205DX are basses that offer great tone, playability, and features that go far beyond the expectation for their price range. Their features include a poplar body with burled poplar top, roasted maple neck, rosewood fingerboard, an LTD DB-4 fixed bridge, controls for volume, balance, treble and bass EQ, and a set of ESP SB-4 (or SB-5 in 5-string models) bridge and neck pickups. The B-2004DX and B-205DX are being made available in Black Burst and Red Burst finishes.

Another outstanding high-value bass being added to the ESP bass offerings is the LTD Phoenix-204DX, available in Black Burst and Red Burst finishes. This is the first time the LTD Phoenix bass has been offered in the affordable 200 range. This bass, highlighted by the flowing curves of the Phoenix shape, features bolt-on construction at 34” scale, a poplar body with burled poplar top, a roasted maple neck and a rosewood fingerboard, reverse headstock, an LTD DB-4 fixed bridge, controls for volume, balance, and tone boost, and a set of ESP SB-4 bridge and neck pickups.

It’s a similar story for the LTD Surveyor-204DX, which takes a classic ESP bass shape and offers it with great LTD quality and high value. Its features include a lightweight, resonant poplar body with a burled poplar top, roasted maple neck with rosewood fingerboard, LTD vintage tuners, and a set of ESP LJB (bridge) and LPD (neck) pickups. It’s available in Black Burst and Red Burst finishes.

More information on ESP Guitars and their entire line of basses is available on the ESP web site at www.espguitars.com.

The NAMM 2026 Show is officially open, and the Guitar.com is on the ground with an agenda to visit as many booths and get the lowdown on as much exciting new guitar gear as humanly possible.

We were lucky enough to visit an event hosted by Fender last night showcasing its latest Custom Shop offerings for 2026, and let’s just say there was some serious eye candy on display. There was a cornucopia of top-line custom instruments – not only Stratocasters, Teles and Jazzmasters from Fender, but uniquely spec’d models from Jackson, Charvel and Gretsch, too. And lucky for you, we managed to capture some shots of our favourites. Without further ado, for your viewing pleasure…

Take a look at our up-to-the-minute live blog on all things NAMM 2026!

The post Here’s some serious eye candy from the Fender Custom Shop event at NAMM 2026 appeared first on Guitar.com | All Things Guitar.

Ernie Ball Music Man proudly celebrates 50 years of the iconic StingRay with the introduction of the all-new 50th Anniversary StingRay Bass, alongside the all-new DarkRay II, new StingRay Special bass finishes, the John Petrucci Signature Majesty Premium Select, Jason Richardson Artist Series Cutlass collection, the 30th Anniversary Axis guitar, and new finish options for the Custom Design Experience.

For five decades, the StingRay has set the benchmark for bold, forward-leaning bass tone. The Ernie Ball Music Man 50th Anniversary StingRay Special honors that legacy with two limited-edition finishes. Liquid Gold is hand-numbered and limited to 50 instruments worldwide, featuring a striking golden reflective pickguard for a truly exclusive presentation. Molten Gold, limited to 300 instruments, showcases a metallic gold finish on the body and

headstock—each with its own unique character. Both versions are paired with an ebony fretboard with gold face dot inlays and glow-in-the-dark side markers for effortless navigation on any stage. A roasted flame maple neck and poplar body deliver a fast, comfortable, and perfectly balanced feel, while gold hardware throughout, including a 50th Anniversary-stamped bridge, completes the look. Finished with a commemorative 50th Anniversary silkscreen on the back of the headstock, each bass ships in a deluxe hardshell case with a certificate of authenticity.

50th Anniversary StingRay 4 Features:

● Roasted figured maple neck

● Gold face dot Inlays with glow-in-the-dark side dots

● 50th Anniversary stamped bridge

● Certificate of authenticity

● Deluxe hardshell case

The 50th Anniversary StingRay 4 Special in Molten Gold will be available at all Ernie Ball Music Man retailers, and the Liquid Gold colorway will be available exclusively in the Ernie Ball Music Man Vault this spring.

The DarkRay™ II bass expands on the aggressive, modern foundation of the original DarkRay by adding fully integrated octave up and octave down effects for an even broader sonic palette. Featuring the same core specs players know and trust, the DarkRay II includes a master volume, bass and treble EQ, a distortion control with a push/push function to switch between two distinct distortion voices, and an octave control with a push/push function to select octave up or octave down. Both the distortion and octave knobs feature LED rings that illuminate when

engaged and change color to indicate the selected mode, providing instant visual feedback. A three-way switch selects the core tone, octave only (middle position), or octave combined with distortion (neck position), making it easy to move from tight, punchy bass tones to massive, harmonically rich textures. Available in Black, Showtime, Spectralite, and Mean Green Burst, the DarkRay II delivers uncompromising tone, cutting-edge functionality, and unmistakable Ernie Ball Music Man style.

The DarkRay II will be available this spring.

First introduced in 1976, the StingRay has been revered as one of the most iconic bass guitars in history. The flagship of the Music Man line, today's StingRay Special retains the same signature features that it had some forty years ago, including a solid roadworthy construction, iconic oval pickguard, 3+1 tuning key configurations, and the ever-popular Music Man humbucker, all of which combine to produce a look, feel, and sound that is remarkably unmistakable.

The StingRay Special will be available in 4 or 5-string in either H or HH pickup configurations.

The new StingRay Special finishes will be available this spring.

The John Petrucci Signature Majesty Premium Select delivers refined tone, precision, and versatility at the highest level—the culmination of years of touring and recording during which John Petrucci gravitated toward a mahogany neck-through body with alder wings and a thick maple top for added depth, sustain, and articulation. Features include a 24-fret ebony fingerboard with stainless steel frets, glow-in-the-dark side dots, DiMarzio Rainmaker and Dreamcatcher humbuckers, a piezo-equipped Music Man floating tremolo, stereo/mono outputs, and a 20+ dB onboard gain boost. Available in Carnelian Red, Ka'anapali Dream, Mystic Dream, Purple Nebula II, and Strawberry Moon.

The Majesty Premium Select will be available this spring.

Introducing the Jason Richardson Artist Series Cutlass HT 8-String, a bold evolution of the signature line and now available in three striking translucent finishes: Water Temple, Death Mountain, and Kokiri Forest. Designed for modern technical players, this multiscale powerhouse features a 25.5”–27” scale length—from the high E down to the low F#—providing exceptional clarity, tension, and articulation across the full extended range. An alder body with a buckeye burl top is paired with a roasted, figured maple neck and ebony fretboard, delivering a premium feel and outstanding stability. Outfitted with Jason Richardson HT humbuckers, the Cutlass HT 8-String offers crushing output, precise note definition, and dynamic tonal versatility. Additional pro-level features include 24 stainless steel frets, a hardtail bridge engineered for superior sustain and tuning stability, a push/ push volume knob for a 20+ dB boost, and coil-splitting via the push/push tone control. Engineered for players who demand peak performance and expressive range, this 8-String expands the sonic possibilities of the Jason Richardson platform like never before.

The new Jason Richardson Artist Series Cutlass colorways will be available this spring.

Introducing the 30th Anniversary Axis guitar. To mark 30 years of the Axis, we’re revisiting the translucent finishes that defined its 1996 debut—Translucent Gold, Black, Pink, Red, Blue, and Purple—applied to hand-stained quilt maple tops and paired with black, lightly sparkled backs that subtly echo each color. Each guitar features a figured maple neck with stainless steel frets, glow-in-the-dark side dots, the original asymmetrical neck carve, and the sought-after DiMarzio® custom-wound pickups that helped define the Axis feel and sound. Finished with a color-matched headstock face, a 30th Anniversary Axis logo on the back, and limited to 90 Gold, 60 Black, Pink, and Purple, and 30 Blue and Red instruments worldwide, every guitar ships with a certificate of authenticity and a deluxe Music Man® hardshell case.

The 30th Anniversary Axis Guitar will be available this spring. The Ernie Ball Music Man Custom Design Experience has expanded with 14 new finishes, offering even more ways for players to create their own custom StingRay bass. The Custom Design Experience is an online custom instrument configurator that allows customers to design and build their dream StingRay Special Bass guitar. Customers can choose from 4-string and 5-string models, right- and left-handed orientations, single- and double-humbucking pickups, finishes, necks, pickguards, hardware, tuning, case options, string gauges, and more. All Custom Design Experience instruments are built in the Ernie Ball Music Man San Luis Obispo, CA, facility and are shipped directly to the customer.

The Reverend Sensei Series, launching for 2026, introduces four upgraded models based on the renowned Sensei platform. As part of a complete line makeover, these models feature a streamlined body shape, reduced thickness for lighter weight and comfort, upgraded ebony fretboards, and newly designed pickups. The reworked body shape is more streamlined, yielding lighter weight, improved comfort, and tighter low-end, with improved high-fret access. Upgraded ebony fretboards are standard for a smooth, fast feel and tight tone.

Also new are the Steelhead Pickup Series, loaded into every Reverend Sensei. These radical new pickups feature oversized steel poles for a highly responsive, punchy tone. The humbucker versions are available in the Sensei HH, the hum-canceling P90 Steelhead pickups are equipped in the Sensei 290, and one of each is in the Sensei H90. The minimalist Sensei JR HB features a single humbucker for those who prefer a stripped-down rock machine.

With bold new top colors, transparent brown backs, and a new headstock logo, the Reverend Sensei Series delivers modern design and performance rooted in the brand’s signature style.

The Reverend Sensei Series is currently shipping to Reverend Authorized Dealers.

Introducing the lightest, fastest Roundhouse ever built. Reverend Guitars releases the new Roundhouse Series guitars for 2026. As part of a complete line makeover, the Roundhouse Series presents three updated models based on the classic Roundhouse platform: the Roundhouse HH, the Roundhouse H90, and the Roundhouse 290. These guitars now feature a thinner body for lighter weight and a rear belly contour for added comfort. All Reverend Roundhouse guitars have been upgraded with ebony fretboards for a smooth, fast feel and tight tone.

The Roundhouse Series introduces the new Steelhead pickups, available in both humbucker and hum-cancelling P90 versions. Designed by Joe Naylor, these pickups use oversized steel poles to deliver a punchy, responsive sound.

The new Roundhouse models come in bold colors with a beautifully arched top, giving them a standout look. Transparent brown backs add a classic touch, and a new headstock logo ties it all together. The Roundhouse Series offers reimagined guitars that blend classic style with the high performance you expect from Reverend.

The Reverend Roundhouse Series is currently shipping to Reverend Authorized Dealers.

ESP Guitars (NAMM Booth 210D) announced that they are expanding their ESP USA Series in 2026 with a number of new limited-edition models at the 2026 NAMM Show, and new options for their online ESP USA configurator. ESP USA instruments are handcrafted guitars that are made by expert luthiers at the ESP USA shop in Southern California.

“We launched ESP USA in 2014 so that musicians would have the choice of a premier-quality, handcrafted guitar with ESP quality that’s 100% made in the USA,” says Matt Masciandaro, president and CEO of the ESP Guitar Company. “Over the past 12 years, the guitars from our ESP USA shop have been met with universal acclaim, and in 2026 we’re prepared more than ever to continue providing musicians with high quality instruments they ask for and demand.”

At the 2026 NAMM Show, ESP is showing a number of new limited-edition ESP USA models. These include the USA Horizon-II Limited Edition with a burl maple top in Pink Carmine finish, the USA M-II DX NT Limited Edition with a Tasmanian myrtle top in Natural Satin finish, the USA M-II NTB FR Limited Edition in Cosmic Web Andromeda finish, and the USA TE-II Limited Edition, featuring an open-grain claro walnut gloss top and a Trans-White Satin ash back. Three other distinctive ESP USA models at the NAMM show include the USA Eclipse in Peach Sparkle finish, the USA Horizon-II in Cosmic Gumball finish, and the USA M-II NTB FR in Arctic Sparkle finish.

ESP has also announced plans to add more new ESP USA models that will be made available to the public throughout 2026 and beyond. In most cases, ESP USA guitars offer personalization options that can be envisioned via the ESP USA Configurator on the ESP web site. Configurable options on most models include top woods, finishes, and pickup/hardware options. ESP USA guitars are available through a select list of authorized ESP Guitars dealers and distributors worldwide.

More information on ESP Guitars and the latest ESP USA additions are available on the ESP web site at www.espguitars.com.

ESP Guitars (NAMM Booth 210D) is debuting 10 new additions to the LTD Series’ “400 Range.” These new guitars are designed for players who want excellent value along with pro-tier components, extraordinary playability, and excellent build quality.

The LTD Arrow-400 is a bold, angular V-shaped guitar. Available in Charcoal Metallic and Scarlet Metallic finishes, its features include set-neck construction at 25.5” scale, a maple neck, rosewood fingerboard, mahogany body, black binding on the neck and headstock, a Floyd Rose Special double-locking tremolo bridge, Grover tuners, and a set of EMG 81 (bridge) and EMG 85 (neck) active pickups.

The LTD EC-400QM is available in See Thru Black Sunburst and Vintage Burst finishes. This single-cutaway guitar shape features set-thru construction at 24.75” scale, a quilted maple top, white binding on the body, neck, and headstock, and a rosewood fingerboard. Its components include a TOM-style bridge and tailpiece, and a set of EMG 81 (bridge) and EMG 85 (neck) active pickups.

Being offered in Charcoal Metallic and Scarlet Metallic finishes, the LTD M-400HT takes the flat-topped ESP M/Mirage shape and offers it with bolt-on construction at 25.5” scale, with mahogany body, roasted maple neck, rosewood fingerboard, single-ply black binding, LTD locking tuners, LTD fixed hardtail bridge with string-thru-body, and a set of EMG 81 (bridge) and EMG 85 (neck) active pickups.

The LTD MH-400HT QM See Thru Black Sunburst offers an arched quilted maple top, set-thru construction at 25.5” scale, a reversed headstock with matching finish, LTD locking tuners, LTD fixed bridge with string-thru body, and a set of EMG 81 (bridge) and EMG 85 (neck) active pickups. The LTD MH-400 Snow White has an arch-topped mahogany body, rosewood fingerboard, reversed matching-finish headstock, a Floyd Rose Special tremolo, and a set of EMG 81 (bridge) and EMG 85 (neck) active pickups.

A new LTD shape is also available in the 400 Range. The LTD TH-400 (available in Charcoal Metallic and Scarlet Metallic) is built with bolt-on construction at 25.5” scale, with a mahogany body, roasted maple neck, and rosewood fingerboard. Components include an LTD fixed hardtail bridge with string-thru-body, LTD locking tuners, and a set of EMG 81 (bridge) and EMG 85 (neck) active pickups.

More information on ESP Guitars and the LTD Series is available on the ESP web site at www.espguitars.com.

Takamine Guitars (NAMM Booth 210D) has announced two new additions to their popular line of travel-sized guitars known as Taka-Minis. The GP3HSE and GX31CE made their debut at the 2026 NAMM Show.

“Both of the new Taka-Mini models are more than they appear at first glance,” says Tom Watters, Director of Product Development for Takamine Guitars. “The GP3HSE is designed for high-strung Nashville tuning, while the GX31CE represents a higher-quality solution in a compact and convenient size. Both of these value-packed guitars are very appropriate for use by pro players in recording and live performance.”

The Takamine G Series GP3HSE is a 3/4-sized guitar (22.4” scale length) with the shape and full body depth of a dreadnought. Its pro features include a solid spruce top and sapele back and sides, with a laurel fingerboard, multi-binding on the front and back of the body, and Takamine’s TP-3G electronics with 3-band EQ, volume, and a built-in chromatic tuner. Available in Natural Satin finish with gold hardware, the GP3HSE comes factory-strung with the high-strings from a 12-string set — known as Nashville tuning — delivering the signature shimmering tone that adds depth and sparkle to performances.

The Takamine G Series GX31CE is designed for exceptional portability without compromising Takamine’s renowned tone. This compact model — using Takamine’s popular NEX cutaway body shape — features custom-designed bracing, along with a solid spruce top and mahogany back and sides. It delivers exceptional projection and clarity for a smaller (22.4” scale length) instrument, and includes pro features like multi-binding on the front and back of the body, gold hardware, and Takamine’s TP-3G electronics with 3-band EQ, volume, and a built-in chromatic tuner. Available in Natural Satin finish, the GX31CE also comes with a convenient GBXM gig bag.

More information and detailed specs on the latest additions to Takamine’s G Series is available at www.esptakamine.com.

Reverend Guitars is introducing the Air series for 2026, featuring four new semi-hollow models in the Charger, Kingbolt, and Roundhouse lines. Each one is built for classic tone, modern playability, and standout looks.

Each Reverend Air model is constructed with a solid mahogany back, routed to yield a full-length center block. This is topped with maple (Roundhouse Air) or spruce (Charger Air and Kingbolt Air). The mahogany locks in warm midrange and sustain, while the maple or spruce tops add complementary harmonics and shimmer. The highly resonant semi-hollow design is ideal for those seeking warm, rich cleans, dynamic overdrive tones, and controllable feedback.

The Reverend Air models feature the new Steelhead Series pickups, which include humbuckers and hum-cancelling P90s with oversized steel poles. Designed by Joe Naylor, these pickups deliver a punchy, dynamic sound. The lineup includes the Charger Air HH, Kingbolt Air HH, Kingbolt Air 390, and Roundhouse Air HH.

Bold new top colors create a modern yet classic look, and transparent brown backs add a touch of class. Reverend’s signature Shooting Star f-holes adorn the top. New headstock model logos complete the concept.

Reverend Air models blend modern craftsmanship with classic style, offering the high performance and timeless look that Reverend Guitars is known for.

The Reverend Air Series is currently shipping to Reverend Authorized Dealers.

ESP Guitars (NAMM Booth 210D) debuted eight new models in their acclaimed Signature Series. These guitars are based on the ESP Custom instruments created in conjunction with some of the world’s most acclaimed musicians.

“ESP’s Signature Series offers something for everyone,” says Tony Rauser, ESP Director of Artist Relations. “The artists who play these guitars are among the world’s most respected guitarists, and their Signature guitars allow people the opportunity to use the same instruments they’ve seen played in front of thousands of people on stage and heard on some of the most acclaimed albums of all time.”

To commemorate the 20-year milestone anniversary of ESP’s relationship with the late Alexi Laiho, respected and influential frontman and lead guitarist in Finnish melodic death metal masters Children of Bodom, two new Signature Series guitars were announced at NAMM 2026. The LTD Alexi Laiho Arrowhead SE 20th Anniversary (Black w/Yellow Bevels) and the LTD Alexi Laiho Sawtooth SE 20th Anniversary (Black w/White Pinstripes) both use the offset V-shape for which the guitarist was well known. Features on these Signature guitars include neck-thru-body construction at 25.5” scale, a Macassar ebony fingerboard (scalloped from frets 19-24), satin-finished neck, Grover tuners, a double-locking Floyd Rose 1000 bridge, and a single EMG HZ F-H2 passive pickup with volume control.

The long-awaited Signature Series guitar for Joe Duplantier, the founding member, songwriter, and producer of French heavy metal icons Gojira, made its debut at NAMM 2026. The LTD JD-I offers a uniquely modified take on the offset XJ shape, and features bolt-on construction at 25.5” scale, a three-piece roasted maple neck with Macassar ebony fingerboard, pearloid block inlays, and 22 extra-jumbo stainless steel frets, a Hipshot Tone-a-Matic bridge and tailpiece, a Graphtech TUSQ nut, and Joe’s signature DiMarzio JD Fortitude passive humbucking pickup.

Another new Signature guitar was announced for George Lynch, whose distinctive Kamikaze guitar, released in 1985, was one of the first-ever ESP Signature models. The LTD GL-200 Kami is a streamlined version of the instrument in a solid Black finish, but retaining recognizable design elements like the “hockey stick” reverse headstock. Other features include a basswood body, a Floyd Rose Special double-locking tremolo bridge, and a set of ESP LH-150B (bridge) humbucker and an ESP LS-120 passive single coil pickups in the neck position.

Joining the ESP Signature artist family for 2026 is Jack Simmons, guitarist and music composer for international deathcore icons Slaughter to Prevail. The LTD JS-7 Baritone features a V-shaped body, neck-thru-body construction at 27” scale, 24 extra-jumbo stainless steel frets, a 48mm Graphtec TUSQ XL nut, a Hipshot 7 hardtail bridge with string-thru-body, and a single direct-mount Fishman Open Core Modern 3-Voice humbucker active pickup.

The late iconic thrash metal guitar god from Slayer, Jeff Hanneman, has a new addition to his Signature Series with the LTD JH-200 CTM. This guitar, priced for accessibility to the legions of Slayer fans, features bolt-on construction, excellent access to the highest frets, an alder body, red star position marker inlays, a Floyd Rose Special double-locking tremolo bridge, and a set of high-output ESP LH-301 humbucking pickups.

Updated for 2026 with a new Black Satin finish, the LTD MT-I is the Signature Series guitar for Mick Thomson, highly respected guitarist of Slipknot. The MT-I features set-thru construction at 25.5” scale, mahogany body with white ash top, 24 medium-jumbo stainless steel frets, a Graph Tech Black TUSQ XL nut, Hipshot Grip-Lock locking open gear tuners, an all-brass Hipshot Hi-Mass hardtail bridge, blue Luminlay side markers, and a Fishman Fluence Mick Thomson Signature pickup with a 3-way low profile toggle switch to select between voices.

Finally, a new finish is available for one of the best-selling Signature Series guitars of all time. Now available in Magenta finish with gold hardware, the LTD SC-607 Baritone is a Signature guitar of Stephen Carpenter, the influential co-founder of California-based alt-metal gurus Deftones. This new finish and design scheme is based off one of Stef’s beloved personal ESP Custom Shop guitars, and its features include seven strings, neck-thru-body construction at 27” scale, a TonePros locking TOM-style bridge with string-thru-body, and a set of Stephen’s own Fishman Fluence SRC Signature 3-Voice pickups.

More information on ESP Guitars and the ESP/LTD Signature Series is available on the ESP web site at www.espguitars.com.

Reverend Guitars unveils the new Kingbolt Series guitars for 2026. Part of a complete line makeover, the Kingbolt Series represents seven new upgraded models. Reworked cutaways provide improved upper-fret access. Body thickness has been reduced, yielding lighter weight, improved comfort, and tighter low end.

The Kingbolt H90, H290, HH, and 390 now feature Reverend’s new Steelhead pickups. These pickups feature oversized steel pole pieces for a highly responsive, punchy tone. A Wilkinson WVS50IIK bridge comes standard on all Kingbolt models. It is celebrated for its tone, durability, and tuning stability. The Kingbolt H90 FR features a Floyd Rose and a Railhammer Alnico pickup at the bridge, making it perfect for those seeking extreme whammy madness. The Reverend Kingbolt F-Sonic delivers semi-hollow resonance in a solid body with a pair of Railhammer pickups. Topped off with Reverend’s signature Shooting Star f-holes, it delivers a unique blend of style and sound.

Bold new top colors pair with a sleek body shape to create a clean yet aggressive look. Transparent brown backs add a touch of high class. A new Kingbolt headstock logo completes the concept. The Reverend Kingbolt Series guitars are modern with classic sensibility. They offer the high performance and timeless style you expect from Reverend Guitars.

The Reverend Kingbolt Series is currently shipping to Reverend Authorized Dealers.

Strandberg has made a serious splash at this year’s NAMM Show. And following the unveiling of its MIDI-infused headless Chameleon guitar with Jamstik, the innovative brand has lifted the lid on the Arc TILT, a patent-pending tremolo design for “smooth motion, stable pitch control and a more intuitive playing experience”.

The design is said to reimagine how a tremolo responds to the player, with a redesigned pivot system and tremolo block engineered to move in sync with the bridge, “resulting in a fluid and controlled feel” while maintaining stability.

• READ MORE: NAMM 2026 Live: The latest guitar launches and news from the biggest music gear event on the planet

Touted as a “new way of thinking about tremolo design”, the Arc TILT debuts on two new Strandberg models, the Electric Fuchsia-finished Boden Standard N2.6T, and Black Denim Satin-finished Boden Original N2.6T. 

“The patent-pending Arc TILT tremolo is a groundbreaking innovation,” says Ola Strandberg, Founder and Chief Creative Officer of Strandberg Guitars. 

“It’s a new tremolo platform built around how players interact with the instrument. By rethinking motion, balance, and response, we’ve created something that feels more natural, more expressive, and more inspiring to play, while further advancing our long-standing focus on comfort and modern playability.”

In terms of pickups, the Boden Standard N2.6T and Boden Original N2.6T – the two guitars which feature the new Arc TILT system – are fitted with Seymour Duncan Pegasus and Sentient humbuckers and Fishman pickups, respectively.

You can learn more about the Arc TILT tremolo system at Strandberg.

The post “A new way of thinking about tremolo design”: Strandberg unveils patent-pending new tremolo system, the Arc TILT appeared first on Guitar.com | All Things Guitar.

Expanding on the company’s iconic line of tube-driven guitar amps, Magnatone has introduced four new models at the NAMM Show in Anaheim:

• Kingston and Starlite Reverb 10 – two new entries in the company’s Traditional Collection
• Varsity Reverb – the debut model in Magnatone’s new Point-to-Point Collection
• Lil’ Viper – a stunning addition to the company’s Slash Collection

Leading the pack is the Kingston, a brand new, yet familiar voice, to the Traditional Collection. It’s a boutique amp hand-built and made in the USA that’s destined to become the premiere go-to workhorse amp for the stage or studio.

It delivers that classic and familiar American amp tone, with the legendary Magnatone voice. The Kingston was designed without compromise, offering the tone and character that cements its place among amp royalty.

Designed to be the classic studio and small-gig amp, the Kingston delivers plenty of power for live club performances while also being perfect for recording sessions and home use. Its clean, responsive voice gives players that sought-after creamy yet bouncy tone that stays clear, articulate and musical across all volume spectrums.

The Kingston was developed through a collaboration with Obeid Khan, Magnatone’s Chief Engineer, and Larry Cragg, longtime guitar technician for Neil Young, to be a tonally vintage vibe amplifier in a compact size, but with a big sound pros can rely on.

Larry Cragg says, “The Kingston takes your amp from the bedroom to the stage.”

The Kingston features High and Low sensitivity 1/4” inputs, a simple configuration of Volume, Treble, Bass, and Reverb controls, with Accutronics Digi-Log spring-style reverb. Powered by two 12AX7 preamp tubes and two 6V6 power tubes, the Kingston produces 12 watts of push-pull output through a Magnatone Custom 12” ceramic magnet speaker. Additional features include footswitchable reverb on/off, an external speaker output, and a 1/4” line out for expanded stage and studio flexibility.

As with all Magnatone amps, the Kingston is hand-wired and made in the USA. It’s finished in Magnatone’s Traditional Collection cosmetics and available in 100% cotton Traditional Brown, Camel, Dark Green, and Traditional Black covering.

Ted Kornblum, President & CEO of Magnatone, says, “The Kingston fills the perfect niche for players who want a truly classic American sound that’s reliable, rugged and ready to take anywhere.”

The Magnatone Kingston carries a street price of $2,349.

Next up is another entry in Magnatone’s Traditional Collection, the Starlite Reverb 10, a sweet-sounding, much-in-demand update of the original “grab and go” Starlite. This new evolution features a larger speaker, increased output, and a more lush, full sound - all still in a small footprint.

“The upgrades we designed include a 6L6 power tube for the 8 watts of Class A single-ended power and the 10-inch speaker in a slightly larger cabinet,” explains Obeid Khan, Magnatone’s Chief Engineer. “These two changes alone make a big sonic difference in tone clarity, volume, projection, and overall performance.” Khan says the amp keeps its Accutronics Digi-Log spring-style reverb, Traditional cosmetics, and compact footprint, making it “a nice little bedroom-office-study-studio amp.”

Like all Magnatone amps, the Starlite Reverb 10 is all hand-made in the USA and features one 12AX7 preamp tube and one 6L6 power tube, giving players 8 watts of Class A output through a Magnatone Custom 10” ceramic magnet speaker. Additional features include High and Low sensitivity inputs, an innovative tone control which spans “black-panel” and “tweed-era” voicings with a mid-cut below 12 o’clock, switchable negative feedback and an 8-ohm extension speaker output. Vintage-inspired Traditional Collection cosmetics highlight and accent the Starlite Reverb 10 in the same way that made the original model a true in-demand favorite.

Ted Kornblum, President and CEO of Magnatone, says, “Our customers love the Starlite’s vibe and performance of being ‘the-little-amp-that-could,’ and now it’s the ‘little-amp-that-can.’ I’m proud to say that we’ve delivered it.”

The Starlite Reverb 10 is available in 100% cotton Traditional Brown, Camel, Dark Green, and Traditional Black covering, carries a street price of $1,899.

The third amp introduced at NAMM is the debut model in Magnatone’s new Point-to-Point Collection, a limited-edition of hand-built amplifiers, made in the USA, featuring vintage-styling and point-to-point hand wiring and limited to a quantity of 50 units worldwide. The collection launches with the Varsity Reverb, now featuring point-to-point craftsmanship, and replaces the Traditional Collection version.

Each amp is meticulously hand-built in small batches using true point-to-point wiring technique that’s expertly made by Magnatone’s master builders.

“While all Magnatone amps are truly hand-built and made in the USA, the Varsity Reverb represents a return to old-school craftsmanship and artistry,” says Obeid Khan, Magnatone's Chief Engineer.

Designed for professional musicians, the Varsity Reverb delivers exceptional clarity, depth and touch sensitivity. Its Class A circuitry provides rich harmonic detail and responsiveness for players seeking amazing tone and superb build quality in a single amplifier.

The Varsity Reverb has already seen rugged, real-world use with some of today’s most respected guitarists. Charlie Sexton says, “I’ve used this amp on the road for years and it sounds as good as it looks.” Jeff Beck, Kenny Greenberg, and Sam Morrow have used this amp on tour and in the studio.

Ted Kornblum, President & CEO of Magnatone, says, “The quality and attention to detail in this model have never been higher, and we’re proud to showcase the craft of point-to-point amp building.”

The Varsity Reverb features 15 watts of Class A power, driven by two 12AX7 pre-amp tubes, one 12DW7 tube, two EL84 power tubes, and a GZ34 rectifier tube, and paired with a Magnatone Custom 12” ceramic magnet speaker. Additional features include authentic tube-driven long-pan reverb (footswitchable) with four counter-wound springs, high and low sensitivity inputs, and a feedback boost switch. The amp features 100% cotton Cathedral Black or Cathedral Burgundy covering, with a hand-tooled saddle-leather handle.

The Magnatone Varsity Reverb in the Point-to-Point Collection carries a MAP of $3,299.

The fourth new amp at NAMM is a special one: Magnatone has introduced the Lil’ Viper – the latest member of the Slash Collection. It’s a lightweight amp designed to deliver a remarkably big tone. Developed with Slash, the Lil’ Viper packs its unmistakable Master Collection tone into a surprisingly powerful 8-watt combo amp that’s perfect for home, studio and, of course, backstage.

Obeid Khan, Magnatone’s Chief Engineer, collaborated with Slash to create this super portable amp for practice and show prep. “The Lil’ Viper is Magnatone's smallest, most portable offering in the Slash line-up,” says Khan. “Slash wanted a big-sounding backstage solution so we worked together to literally create a big amp…in a little box.”

Slash adds, “I'm not exaggerating when I say this is the most kick ass amp of its size I've ever heard. Its sound actually kicks the ass of amps 3 times its size.“

Like all Magnatone amps, the Lil’ Viper is made in the USA and features a single 12AX7 preamp tube and a pair of NOS 6AQ5 power tubes delivering 8 watts of push-pull Class AB output through a Magnatone Custom 8” ceramic magnet speaker. A High/Low gain switch gives players two distinct voicings. As Khan explains, “Low Gain is a classic, slightly broken-up gain architecture. High gain is a modified type of saturation tone.” Khan also adds that the tone control adds highs and reduces lows as it’s turned up.

Additional Lil’ Viper features include a Slash-requested, speaker-emulated 1/4” headphone output that mutes the internal speaker while still allowing players full control of the amp’s features. There’s a 1/8” line input for playing with backing tracks. Elegantly dressed in Slash’s signature Purple Python cosmetics, the Lil’ Viper roars visually with a backlit Magnatone logo and gold-accented control panel hardware - including the signature vintage-style Magnatone chevron.

Ted Kornblum, President & CEO of Magnatone, says, “While it may be the smallest amp in the Slash collection, the Lil’ Viper really delivers a surprisingly big sound that stands up proudly to its bigger brothers in the collection.”

The Lil’ Viper is available exclusively in Purple Python with a MAP of $1,899.

To learn more about Magnatone’s new models visit www.magnatoneusa.com.

ESP Guitars (NAMM Booth 210D) has added 14 new guitar models to their popular LTD Deluxe “1000 Series”, instruments for professional players who require the versatile tones, smooth playability, and complete reliability for serious recording and touring needs

“LTD Deluxe guitars are being used on the world’s biggest stages and best-selling albums,” says Matt Masciandaro, president and CEO of the ESP Guitar Company. “We feel that our new additions to the LTD Deluxe Series for 2026 are among our best in history.”

The LTD Deluxe Arrow-1000 is being made available in a brilliant Pearl White finish. This V-shaped guitar offers neck-thru-body construction, extra-jumbo stainless steel frets, and a set of direct-mount Fishman Fluence Modern 3-Voice Humbucker active pickups.

Three new EC-1000 models are joining the LTD Deluxe Series. The EC-1000 Candy Apple Red Satin is a single-cutaway guitar that’s built with set-thru construction. Components on this guitar include a TonePros locking TOM-style bridge and tailpiece and a set of ESP-exclusive Seymour Duncan Mortal Coil 3-Voice Active Humbucker pickups, with push-pull controls to activate their multiple voices. The EC-1000 Granite Sparkle also offers set-thru construction at traditional 24.75” scale, and includes a set of direct-mounted Fishman Fluence Modern 3-Voice Humbucker pickups. The EC-1000 Pearl White gleams in a brilliant finish and high-contrast single-ply black binding, with chrome hardware Fishman Fluence Modern 3-Voice Humbucker pickups.

The new LTD Deluxe MH-1000NT Granite Sparkle offers set-thru construction at 25.5” scale, 24 extra-jumbo stainless steel frets, offset block inlays, and Fishman Fluence Modern 3-Voice Humbucker pickups. A shape making its long-awaited addition to the LTD lineup, the LTD Deluxe MV-1000 Pearl White is based on the ESP Maverick, with smooth, flowing curves and a slightly asymmetrical shape that truly stands out from the crowd of typical guitars. It offers bolt-on construction at 24.75” scale, a Floyd Rose 1000SE double-locking tremolo, 27 extra-jumbo stainless steel frets, and a superb Seymour Duncan pickup set with an ESP-exclusive Custom 14 TB in the bridge position and a Hot Rails in the neck.

Another new model for 2026, the LTD Deluxe NV-1000 marks the return of the tough-looking ESP NV shape to the LTD brand with neck-thru-body construction, extra-jumbo stainless steel frets, a Floyd Rose 1000SE double-locking tremolo, and a set of aggressive EMG 81 (bridge) and EMG 60 (neck) active pickups. The LTD Deluxe RS-1000 Pearl White offers ESP’s Random Star shape with neck-thru-body construction, a Floyd Rose 1000SE tremolo, and an EMG 81 (bridge) and EMG 85 active pickup set.

The LTD Deluxe SN-1000FR Candy Apple Red Satin offers bolt-on construction at 25.5” scale in an outstanding solid-color finish, with a resonant swamp ash body and roasted maple neck, stainless steel frets, a Floyd Rose 1000SE double-locking tremolo, and a set of Fishman Fluence Modern 3-Voice Humbucker pickups. The LTD Deluxe SN-1000 HT Dark Brown Sunburst has a quilted maple top, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of Seymour Duncan Custom14 — an ESP exclusive — in the bridge position and an APH-1N in the neck.

Yes another new shape for 2026, the LTD Deluxe TH-1000 Snow White takes a familiar look and soups it up with contemporary design features such as a swamp ash body, roasted maple neck, extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of ESP-exclusive Seymour Duncan Mortal Coil 3-Voice Active Humbucker pickups. The LTD Deluxe TH-1000 EverTune FM See Thru Black Sunburst offers this shape with the EverTune constant tension bridge, along with a flamed maple top, a roasted maple neck, a black bone nut, and a set of ESP -exclusive Seymour Duncan Mortal Coil 3-Voice Active Humbucker pickups.

The LTD Deluxe Viper-1001 EverTune Charcoal Metallic Satin also features the EverTune constant tension bridge, along with set-thru construction at 24.75” scale, extra-jumbo stainless steel frets, and an EMG 81 active humbucking pickup. Finally, the LTD Deluxe XJ-2HT Snow White takes the offset XJ body shape and provides it with the feature set designed for the modern musician, including a swamp ash body, roasted maple neck, extra-jumbo stainless steel frets, a black bone nut, a Hipshot hardtail bridge with string-thru-body, and a set of Fishman Fluence Modern 3-Voice Humbucker pickups.

More information on ESP Guitars and the new additions to the LTD Deluxe Series is available on the ESP web site at www.espguitars.com.

Gator has introduced Vertex by Gator, a new pedalboard series developed in collaboration with Vertex Effects. The partnership pairs the design input of Vertex founder Mason Marangella with Gator’s manufacturing capabilities.

The Vertex by Gator collection launches with three sub-series. The Tour Lite series offers a compact footprint with the option to integrate risers for added routing space. The Tour Compact series expands the working surface and introduces multiple board sizes for musicians building mid-sized layouts. The Tour Elite series provides the largest surface area in the collection, accommodating builds that require additional pedal real estate and cable management space.

Rig Doctor accessories in the lineup include a cable-tie and holder pack with 48 pieces, along with a pedalboard mounting kit featuring 0.75” dual-lock adhesive squares, 4” cable ties and 1” cable-tie holders. These additions are intended to support clean wiring and repeatable builds across different configurations within the Vertex by Gator ecosystem.

“I’m honored to be working with a company that shares my value of bringing premium pedalboards and accessories, at an affordable price, to musicians around the world,” said Mason Marangella, owner of Vertex Effects. “It’s been a dream to work with the Gator team and bring ideas to life that I’ve been refining for over seventeen years as a professional rig builder.”

Within the Vertex by Gator range, the Tour Lite series features a 17” x 10” (43.2 x 25.4 cm) layout. The Tour Compact series is available in 23” x 13” (58.4 x 33 cm) and 27” x 13” (68.6 x 33 cm) formats, and the Tour Elite series offers a 31” x 13” (78.7 x 33 cm) layout. Each pedalboard in the series ships with a fitted gig bag sized to the corresponding board.

With the introduction of Vertex by Gator, the two companies present a unified pedalboard system built for varied rig formats. For more information on Gator’s effects pedal accessories, visit gatorco.com, and for details on Vertex Effects, visit vertexeffects.com.

Geordie Greep, frontman of Black Midi, has written a touching letter on the loss of his friend and former band mate, Matt Kwasniewski-Kelvin.

Kwasniewski-Kelvin sadly passed away after a long mental health battle at the age of just 26. He played guitar for the band from its formation in 2017, and stepped away in 2021 to focus on his mental wellbeing.

His family announced his death through a statement shared by the band’s label, Rough Trade Records, earlier this month. They described him as “a talented musician and a kind, loving young man”, and urged people to check in on their loved ones.

View this post on Instagram

Geordie Greep has now written his own statement, shared via social media, in which he has thanked their friends, those the band have worked with, and their fans for being so kind. He also passed on his love to the family of Kwasniewski-Kelvin.

“It’s really such a sad thing that’s happened,” he writes, “but I have been trying to focus on what a great person he was, what a force for positivity and goodwill, and how much better he made the lives of everyone who knew him. We all loved him so much, we really did. And he will stay with us for the rest of our lives.

“Even though I haven’t seen him in some years, I thought about him very often, and I always wished and hoped I would one day see him again. There is so much I wish I could say to him. I wish I could say how sorry I am for everything that happened, how sorry I am that he was unlucky enough to be battling such a cruel, unforgiving and persistent illness, how much I miss him and will miss him always, and how thankful I am for everything he did for me.”

He later continues, “We had a dream when we were 14 years old of making crazy music and playing it around the world, being able to make music on our own terms and be able to do it for a living – and we bloody did. We did and in a short time too.”

Before sharing some throwback photos of the band, Greep concludes: “So thank you Matt, thank you for everything. You’re always gonna be with me. Every stage and studio or wherever I play I’ll be thinking of you. I dedicate the rest of my life to finishing what we started. And I would never be able to do any of it without you. I love you, thank you so much.

“And thank you everyone else too. Best wishes to everyone. I love you all. I don’t have many good pictures of us all together, but here are a few. One from our very first recording session (in a proper studio) and a few from our very first gig, and some from us and a few other great friends from school playing the blues. That was nine years ago now, and I remember it like yesterday. These are the sort of memories you can’t forget.”

You can read Geordie Greep’s full post below:

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If you’re struggling with your mental health, you can find support through Find A Helpline.

The post “I dedicate the rest of my life to finishing what we started”: Geordie Greep pays tribute to former Black Midi bandmate Matt Kwasniewski-Kelvin appeared first on Guitar.com | All Things Guitar.

Warren Haynes walks into Axe Lords HQ like he’s done this a thousand times—he probably has given that he was inducted into the Rock & Roll Hall of Fame with the Allman Brothers Band 31 years ago—and within minutes we’re deep into the stuff that actually matters: how you develop a voice standing next to a guitarist as singular as Dickey Betts, why the volume knob is not a decoration, and how “improv” gets better the moment you stop trying to have a good idea.

Along the way, the Gov’t Mule frontman and solo artist unpacks the real-life chain of events that turned a 19-year-old kid into a professional musician: the surprise call from country provocateur David Allan Coe that turned him into a hardened rod dog almost overnight, the daily grind of being a Nashville session singer, and the long game of learning what he calls the golden rule of playing in a two-guitar band: respect what the other player is doing while still being unmistakably yourself.

And because this is Axe Lords, we also get fully nerdy: the story behind that three-pickup SG Custom that went from the cover of Guitar World magazine to the Big House Museum in Macon, the red Custom Shop Strat that got stolen, and why he tours with no less than 20 guitars.

Axe Lords is presented in partnership with the Witz Comedy Network and Premier Guitar. Hosted by Dave Hill, Cindy Hulej and Tom Beaujour. Produced by Studio Kairos. Executive Producer is Kirsten Cluthe. Edited by Justin Thomas (Revoice Media). Engineered by Patrick Samaha. Recorded at Kensaltown East. Artwork by Mark Dowd. Theme music by Valley Lodge.

Follow @axelordspod for updates, news, and cool stuff.

Follow Warren @thewarrenhaynes

Pre-Order Warren’s Re-Mixed and Re-Mastered Version of Debut Solo Studio Album Tales of Ordinary Madness out January 30th via Megaforce Records.

First Single “Fire In The Kitchen” Out Now.

Catch Warren on tour: Winter of Warren 2026 Tour

Aguilar has announced the Tone Hammer 210 Combo, a compact bass combo amplifier designed to deliver the sound, feel, and performance of a full Aguilar rig in situations where space is limited but tone and reliability remain essential.

Built for working bassists, the Tone Hammer 210 Combo was not designed as a scaled-down solution. Instead, Aguilar focused on the environments bassists actually work in—small to medium venues with tight stages, studio and Broadway pit settings where clarity and consistency are critical, and houses of worship where players often rely on in-ear monitoring and flexible direct outputs rather than stage volume.

At the core of the design is a vertically oriented 2×10 cabinet that balances portability with natural projection. The cabinet remains compact while providing dispersion and stage feel closer to a traditional full-size rig. Its height is similar to a Tone Hammer head paired with an SL 410, allowing bassists to hear themselves clearly without excessive stage volume. The amplifier section is physically separated from the cabinet enclosure, preserving internal volume and resonance so the cabinet can deliver its full acoustic performance. This design results in a punchy, focused response that avoids the muddy characteristics often associated with combo amplifiers. The cabinet is loaded with custom ceramic 10-inch speakers inspired by Aguilar’s DB series drivers. Designed from the ground up, these speakers deliver a tight, controlled low end, forward and articulate midrange, and a clear voice that maintains definition in a live mix.

Mounted on top of the cabinet is a 300-watt version of Aguilar’s second-generation Tone Hammer amplifier. Players get the signature Tone Hammer character—warm, rich, and tube-inspired— with the flexibility to dial in tones ranging from vintage thump to modern edge. The rear panel is designed for modern performance needs and includes dual XLR outputs for front-of-house and monitor or in-ear monitor routing, built-in cabinet impulse responses for consistent direct tone, and compatibility with the Aguilar Cabinet Suite desktop application.

Additional features include a headphone amplifier and auxiliary input for silent practice, as well as a redesigned ultra-quiet cooling system suitable for studio and pit environments.

With its combination of efficient cabinet design, custom speakers, and a powerful Tone Hammer amplifier section, the Tone Hammer 210 Combo delivers a true Aguilar experience in a compact, professional format.

For more information, visit www.aguilaramp.com

The Aguilar Tone Hammer 210 Combo is available for pre-order with a street price of $1499.99 and will begin shipping in March 2026.

Tokai Guitars, the respected Japanese guitar manufacturer known for meticulous craftsmanship, vintage-inspired design, and time-tested consistency, is officially returning to the United States. The brand’s U.S. relaunch is supported by Audio Collective Group (ACG), whose focus is brand growth, improved availability, and a stronger connection between Tokai and American players.

For decades, Tokai guitars have been prized by musicians who value boutique feel, consistency, and traditional hand-built quality. Built in Japan by skilled luthiers, Tokai instruments are respected for their balance, playability, and attention to detail, earning a loyal following worldwide among players who value classic designs executed with precision and reliability.

“We’re genuinely excited to get Tokai Guitars back in the hands of U.S. players,” said Bryce Young, President of Warm Audio & Audio Collective Group. “These are beautifully built, made-in-Japan guitars with Golden-era construction, offering a high-quality alternative to more American guitar players. The big thing for us is making Tokai easy to find again through trusted retailers and backing that up with real U.S. customer support and service. Tokai has a long history, including fans & players like Kirk Hammett from Metallica, Robert Fripp from King Crimson, Tim Farriss from INXS, and Billy Gibbons from ZZ Top, and it’s awesome to help bring that legacy back into today’s guitar shops.”

As part of this U.S. relaunch, Audio Collective Group is investing in infrastructure designed to better serve both players and retailers. This includes the active development of a dedicated U.S. / English-language Tokai website, along with initiatives aimed at strengthening visibility, product clarity, Texas-based service, and dealer support throughout the American market.

Key Product Lines Coming to the U.S.

Electric Guitars

Tokai electric guitars are built in Japan using time-honored construction methods, featuring bolt-on necks, vintage-correct neck profiles, and Japanese-made Gotoh hardware and pickups.

• Goldstar (S-Style) — Tokai’s flagship S-style electric, available in classic SSS or hot-rodded HSS configurations. Known for balance, clarity, and responsiveness, with alder or ash bodies and a wide range of vintage finishes.
• Breezysound (T-Style) — A traditional T-style design featuring alder or ash bodies, vintage-voiced Gotoh single-coil pickups, and straightforward controls that deliver punch, articulation, and classic snap.

Bass Guitars

Tokai basses are built with the same attention to detail as their guitars, offering strong fundamentals, articulate low-end response, and dependable performance for both studio and stage.

• Hard Puncher (PB-Style Bass) — A classic passive 4-string bass featuring a split-coil Gotoh pickup, 34" scale length, and traditional volume and tone controls. Designed for warmth, clarity, and mix-ready tone.

Availability

Tokai Guitars will be available in the United States through select authorized dealers supported by Audio Collective Group. Dealers interested in carrying Tokai can contact their ACG sales representative or email sales@audiocollectivegroup.com.

Additional U.S. product information and resources will be available soon via Tokai’s forthcoming dedicated U.S. website: www.tokaiguitars.com